History of Artists in Christian Testimony Intl
In 1970, Byron wrote down the assignment from God that’s guided his ministry efforts ever since then:
“to disciple and mentor people out of music and the arts, working them into the fabric of Church, Missions & Marketplace ministry around the world.”
Started with a core commitment to Discipleship of Arts Ministry Servants
By 1972 Byron had gain some very valuable ministry experience. For three years he volunteered with the University of California, at Davis, Campus Crusade for Christ student movement, leading out in student worship, music evangelism and discipleship. He also participated in and directed international summer music teams in over 20 nations with the Continental Singers music evangelism ministry. And, while Youth Pastor at a growing San Francisco East Bay Area church, developed a vibrant youth music ministry active throughout that region.
Then in Fall, 1972, Byron stumbled (under God’s direction) into becoming the first musical coach of the Liberated Wailing Wall–the mobile music evangelism team of the ministry we now know as Jews for Jesus. And by that stumble, he began fleshing out in the lives of artistic Kingdom servants his 1970 assignment from God to mentor and disciple people out of music and arts backgrounds and work them into the fabric of Church and Missions ministry around the world. So when Moishe Rosen (soon to become the founder of Jews for Jesus) asked Byron in april of 1972, “Why don’t you put together a creative evangelism ministry for yourself and The Liberated Wailing Wall?” Byron said, “OK!” And the rest is history
September, 1973 found a new ministry incorporated, Hineni Ministries; its two ministry divisions became Jews for Jesus and Byron Spradlin Ministries–what 28 months later (January of 1976) was later to become Artists in Christian Testimony Intl—both efforts committed to creative evangelism, cross-cultural ministry, and the discipleship of creative ministers dedicated to world evangelization
Then came Doug Hanks–the first Christian musician and worship leader asking Byron to formally mentor and disciple him in ministry. He appeared on Byron’s doorstep in Portland, Oregon in fall of 1975. So, by January 1976 Byron, with Doug’s encouragement, labeled his ministry assignment Artists in Christian Testimony Intl–the organization behind his vision to integrate artistic and oral communication of the Gospel into the ministry strategies of missions, local churches and the market place.
Focus on Evangelism, Equipping & Missions
From 1975-1980 . . . A.C.T. Intl sent out summer music evangelism teams under the names “Song of Praise” and “New Song” As many as five teams were out in the summers by 1979 & 1980. They ministered throughout the US and Honduras. These teams also placed a strong emphasis on ministry training for the talented participants.
In October 1980, A.C.T. Intl closed off the summer touring program, moved its offices to Dr. Ralph Winter’s “US Center for World Mission” in Pasadena, CA. This move launched A.C.T. Intl and Byron Spradlin into a focus on missions, and the role of culturally relevant worship in church growth, church planting and the broader endeavor of ‘worship and the arts in world evangelization.
Focus on culturally appropriate Worship in Church Growth & in Church Planting
Many mission thinkers today realize the need to develop ministry methodologies other than the Western styles of lecture and the literary. The unchurched world is largely non-literate and unresponsive to communication styles developed in Western church and missions’ sub-cultures. One of the keys to penetrating a community is through worship styles and communication geared to that particular people.
Because of this need, in 1986, under the mentoring of Dr. George Patterson (CBHMS), Central America missionary pioneer, Reverend Spradlin launched A.C.T. Intl‘s church planting emphasis, Church Planting International, (CPI).
CPI—trains and sends out church planters committed to a biblically integrated ministry strategy of multiplying churches among the un-reached peoples and communities of the world while emphasizing indigenous evangelism, worship and Christian community formation.
Also in 1986, to demonstrate the importance of artistic communication in local church ministries and church planting strategies, A.C.T. Intl helped plant the New Hope Community Church in Rancho Cucamonga, CA under Byron’s pastoral leadership.
Focus on becoming a ‘Missionary Sending’ ministry
In the fall of 1990, enter Robin Haines Merrill, a visual artist doing missionary work in Manila, Philippines. Robin was (and still is) working in evangelism among prostitutes (getting them into craft-oriented cottage industry), the encouragement of Christian visual artists, and evangelism through the arts. She came to A.C.T. Intl asking to access the A.C.T. Intl ministry organization as the home base for her ministry, the Christian Cultural Development Foundation. By January of 1991 Robin was accepted as A.C.T. Intl’s first foreign arts missionary specialist. This small step actually moved A.C.T. Intl into becoming one of the first interdenominational missionary sending boards specifically designed to send out arts ministry & missionary specialists.
Expanding Around the World
A.C.T. Brazil – Ken Fitch, a missionary of A.C.T. Intl since 2001, serving full-time in Brazil, founded Artistas de Cristo in 2007
A.C.T. Canada – Artists in Christian Testimony Canada Incorporated received its Letters Patent on March 13, 2007 and its charitable status on July 30, 2009
There are currently 448 Ministry Departments comprised of 612 people in 47 countries and 40 states comprised of [126 Full-time, 232 Bi-vocational, 60 Volunteer, 112 On-going Projects, 68 Staff Candidates & 14 Short-Termers] doing ministry.